Juodasis oniksas

Black onyx

Black onyx • straight-banded chalcedony (microcrystalline SiO₂) Palette: black base with white/gray "cap" (suitable for cameos) • also solid black cabochons Mohs: ~6.5–7 • SG: ~2.58–2.64 • Luster: waxy–glassy • Cleavage: none • Fracture: conchoidal Note: naturally rich black bands are rare; a large market share is dyed or sugar-treated chalcedony

Black onyx — minimalism with a quiet glow

Black onyx is chalcedony in its most graphic form: calm, parallel bands resembling ink on paper. Jewelers value two looks — solid black cabochons with a soft glassy shine and black and white banded blanks where a light "cap" over a dark base becomes a ready canvas for cameos and signets. Hold a thin edge to the light and you'll see why designers love it: the white band glows, the black stays rich, and the contrast tells a story.

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What it is
Chalcedony formed in straight, parallel bands. "Black onyx" can be naturally dark or traditionally treated deep black — clear disclosure is part of good labeling
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Why it fascinates
Tuxedo clean contrast, carving precision, and gentle polished shine, suitable for both antique and modern
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Care briefly
Hard as quartz and stable; mild soap + water; avoid ultrasonic/steam and harsh chemicals on dyed stones

Identity and terminology 🔎

Gemstone onyx vs. decorative "onyx"

In gemology, onyx = straight-banded chalcedony. In decor, "onyx" often refers to banded calcite (soft, acid-sensitive). If it's a ring stone — almost certainly chalcedony; if a glowing countertop slab — very likely calcite.

Naturally black and treated

Solidly rich black chalcedony bands occur but are rare. Historically, polishers used sugar–acid carbonization or modern dyes to deepen dark layers. Treated onyx is common in trade, just clearly label it.

Terminology note: Onyx = black/white bands • Sardonyx = brown/white bands • Nicolo = very thin white "cap" over darkness — for a smoky cameo effect.

How straight bands form 🧭

Layered silica gels

Silica-saturated fluids in cavities and cracks deposit thin gels. When conditions remain stable, layers form parallel like notebook pages — unlike the wavy typical agate “forts.”

Where the black comes from

Dark layers contain microscopic pigments — organic carbon, iron compounds, or other inclusions absorbing light. Treatments deepen this absorption so the base is truly “writing black.”

Why it carves excellently

Tight microfibers of chalcedony allow sharp details without fragile splitting risk, and banding provides a two-tone canvas beloved by cameo artists.

Think of notebook lines for the lapidary: straight lines allowing “writing in stone.”

Palette and pattern dictionary 🎨

Palette

  • Deep black — natural or treated chalcedony base.
  • Snow-white “cap” — favorable for cameos.
  • Soft gray — transitional bands for subtle relief.
  • Sardo brown — warm base in sardonyx varieties.

Quality raw material has even, parallel layers with controlled white “cap” thickness over clean black mass.

Pattern terms

  • “Two-ply” — thin white band over dark (suitable for nicolo).
  • “Multi-ply” — several changing bands for complex cameos.
  • Edge halo — gentle glow on thin edges against the light.
  • Solid black — uniform black chalcedony mass without visible bands.
Photography tip: Use broad diffuse light for true blacks; add slight uplighting from below so the white “cap” glows without washing out contrast.

Physical and optical properties 🧪

Property Typical range / note
Composition Micro/cryptocrystalline SiO₂ (chalcedony); dark layers due to natural pigments or treatment
Crystal system Trigonal (quartz) — crystals too fine to see; aggregate texture
Hardness (Mohs) ~6.5–7 (suitable for daily wear)
Specific gravity ~2.58–2.64
Refractive index (point) ~1.535–1.539 (typical for chalcedony)
Luster / transparency Waxy–glassy; usually visually opaque, but thin edges are semi-transparent
Cleavage / fracture No cleavage; shell-like fracture; polishes excellently
Treatment Dyed and traditional sugar–acid carbonization are common for black color; sometimes polymer impregnation for porous slabs.
Optics usually: the white "cap" diffuses light and appears bright; the black base absorbs and remains rich — carving simply reveals which layer you want to see.

Under the magnifier 🔬

Band structure

Look for straight, parallel edges. In Nicolo material, the white band can be very thin, creating a smoky bluish-gray cameo relief.

Natural vs. dyed

Dyed stones may show color concentration in microcracks/pores and unnaturally even, deep black tone. Natural dark layers sometimes have a slight brownish tint or subtle zoning.

Checking for imitations

Glass/obsidian has no bands and may have bubbles; calcitic "onyx" scratches easily and fizzes with weak acid. True onyx is quartz-hard and does not fizz.


Similar stones and confusions 🕵️

Obsidian and black glass

Solid black, shell-like fracture, without bands; bubbles often visible in glass. Onyx shows parallel layers and a "waxy" glow.

Agate and black jade

Jet is light and "warm" (low SG); black nephrite is tougher, showing fibrous/granular texture under magnification. Neither has a natural white "cap" for cameos.

"Onyx marble" (calcite)

Decorative banded calcite — soft (Mohs ~3), reacts with acids, and often semi-transparent in large slabs. Beautiful, but a completely different stone.

Quick checklist

  • Parallel light/dark bands and quartz hardness?
  • Semi-transparency at edges; waxy–glassy luster?
  • No bubbles, no acid "fizzing"? → Black onyx (chalcedony).

Localities and uses 📍

Where found

Striped onyx suitable chalcedony is found in Brazil, Uruguay, India, Madagascar, and volcanic fields in the USA. Historical cameo material has long been associated with Mediterranean trade.

What is made from it

Signet rings, cufflinks, beads, inlays, and of course, cameos. Solid black cabochons pair beautifully with silver or yellow gold; two-layer blanks allow the relief to "sing."


Care and lapidary notes 🧼💎

Daily care

Gentle soap + lukewarm water, soft cloth, dry thoroughly. Store separately to prevent wear.

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Avoid ultrasound, steam, bleach, acetone on dyed stones; avoid prolonged heat exposure for composite cameos.

Jewelry recommendations

  • Suitable for everyday rings and pendants; quartz hardness maintains a polished shine.
  • For cameos, a slightly matte background behind the glossy relief adds depth.
  • Open-back pendants allow thin edges to create a soft aureole glow.

On the grinding wheel

  • Choose raw material with the right "cap" thickness (nicolo = very thin; for vivid relief = thicker).
  • Orient bands parallel to the facade plane; pre-polish 600→1200→3k.
  • Finish with cerium or aluminum oxide on skin/felt — for calm, even shine.
Display tip: Place a green banded slice next to a finished signet — instantly "from rock to ring."

Practical demonstrations 🔍

Edge lighting effect

Hold the slab to a phone flashlight: the white "cap" glows, the black base remains dark. This clearly explains cameo contrast.

Feel the difference

Place a small piece of "onyx marble" next to chalcedony onyx. Nails will tell the truth: calcite scratches, chalcedony does not.

Black onyx is gemology's "little black dress": light, versatile, and surprisingly photogenic.

Questions ❓

Is most black onyx dyed?
A large part of solid deep black material is dyed or sugar-treated chalcedony. This is a long-accepted practice, the key is clear disclosure.

Do the colors fade?
Quality treatments are generally stable under normal wear conditions. Avoid aggressive chemicals/solvents and prolonged high temperatures.

Is the "white onyx" in interiors the same stone?
Usually not — that's banded calcite, used for slabs and vases. Impressive, but softer and more sensitive to acids than chalcedony onyx.

Can it be worn daily?
Yes. Due to quartz hardness and "forgiving" polish, black onyx is a practical everyday choice.

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